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o cambio Pedal EQ 3 bandas Tonemender

Por smogg el 05/02/2021 en Alicante
Expiración: 05/01/2022 | Visto 867 veces
55 €
o cambio Pedal EQ 3 bandas Tonemender
  • o cambio Pedal EQ 3 bandas Tonemender
  • o cambio Pedal EQ 3 bandas Tonemender
  • o cambio Pedal EQ 3 bandas Tonemender
  • o cambio Pedal EQ 3 bandas Tonemender
  • o cambio Pedal EQ 3 bandas Tonemender
Pedal ecualizador paramétrico de tres bandas (bass, mid, treble), con selector mid shift y volumen, realizado por Sonicstage.

Lo usaba en un Fender Excelsior que solo tenía volumen, sin control de Tone.

Tb.es una alternativa a los eq. gráficos, con una configuración más sencilla, o tb. se puede usar como como booster con eq.

http://www.runoffgroove.com/tonemender.html

The Tonemender is a very flexible, yet simple clean boost with a 3-knob tonestack that allows the user to re-create the classic Fender, Marshall and Vox responses.

We suggest using a TLC2272 for the dual op-amp. The TLC2272 is rated for low-noise and rail-to-rail output, which will offer the highest possible clean boost and dynamic range. The NE5532 is another good choice, but a TL072 can also be used with decent results.

The Mid Shift switch (SW1 on the schematic) selects the center frequency of the midrange dip in the response. The center frequency is moved from around 700Hz (Marshall/Vox) down to 400Hz (Fender) in the HI and LO settings, respectively.

For Fender-style curves, the Mid Shift is placed in the LO setting (closed). To replicate Marshall-style curves, switch the Mid Shift to the HI position (open). Set the Mid control between 12:00 and 5:00 for traditional Marshall settings, with lower settings providing additional flexibility. For a Vox-style response, keep the Mid Shift in the HI setting and set the Mids control fixed at 10:00 and move the Bass between 7:00 and 12:00.

A "flat" equalizer position is set with the Bass and Treble both at minimum, and the Mid control at its midpoint. When Bass and Treble are fully cut, the Mid knob acts as an additional Level control, which is a familiar characteristic of the Fender tonestack.
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