Hola Que tal! esto lo encontré en Internet, como una guía básica y rápida de como ecualizar un ampli para sonar como tus ídolos, obvio que no todos los amplis suenan igual, y ademas la cadena de pedales de cada uno también entra en juego, y demás y demás, pero se puede lograr un cierto parecido, o por lo menos ir viendo mas o menos por donde andará la onda, también puede ser de utilidad como para irlos probando y quizá encontrar sonidos interesantes como para tener en cuenta
Como estoy en el Laburo, no tengo mucho tiempo para estar en la compu así que solo copie y pegue , desp lo analizare y explorare en casa, ja,
Espero que el autor que lo escribió, me perdone por hacerlo, pero creo que en cierto punto es como los libro, alguien me dijo alguna vez que no sirven de nada en una biblioteca sin nadie que los lea, que es mejor que viajen de mano en mano y alimenten las mentes de otras personas también, asi que esto también es un poco de conocimiento que seria bueno que viajara por otros lares
bueno al caso entonces:
Joan Jett's - I Love Rock N Roll
Gain 7.5
Bass 6
Mid 8
Treble 4.5
Effects distortion 80% filter bandpass at 1800Hz
Big Muff distortion and a Cry Baby wah left about 70% forward give about
the right amount of screaming highs. Use bridge pickup with tone all the way up.
Jimi Hendrix of Jimi Hendrix Experience
Gain - 4
Treble - 5
Mid - 5
Bass - 8
Reverb - 5
Tom Morello of Audioslave/Rage Against the Machine
Gain - 7
Treble - 10
Mid - 4
Bass - 4
Reverb - 0
Eric Clapton of Eric Clapton
Gain - 7
Teble - 5
Mid - 7
Bass - 7
Presence - 8
Mick Thompson of Slipknot
Gain - 9-10
Treble - 8
Mid - 7
Bass - 8
Reverb - 2
Note tuning of B F B E Gsharp Csharp (low to high)
Jimmy Page of Led Zeppelin
Gain - 4
Treble - 8
Mid - 3
Bass - 7
Reverb - 2
Kurt Cobain of Nirvana
Gain - 7
Treble - 7
Mid - 4
Bass - 3
Reverb - 2
Eddie Van Halen of Van Halen
Gain - 6
Treble - 4
Mid - 3
Bass- 9
Reverb - 4
John Frusciante of Red Hot Chili Peppers
Gain - 4
Treble - 8
Mid - 2
Bass - 6
Reverb - 7
Kirk Hammet of Metallica
Gain - 7
Treble - 7
Mid - 2
Bass - 7
Reverb - 2
Keith Richards of Rolling Stones
Gain - 4.5
Treble - 4.5
Mid - 6.5
Bass - 5.5
Reverb - 1.5
Note use of open G tuning, D G D G B D (low to high)
The Edge of U2
Gain - 1.5
Treble - 7
Mid - 5
Bass - 3
Reverb - 8.5
Brian May of Queen
Gain - 8.5
Treble - 4
Mid - 9
Bass - 5.5
Reverb - 4
Note Brian famously uses old sixpences to pick the strings of his guitar.
Jack White of The White Stripes
Gain - 8
Treble - 7
Mid - 5
Bass - 8
Prescence - 8
Slash of Guns N' Roses
Gain - 6.5
Treble - 4.5
Mid - 7
Bass - 7
Presence ? 8
Justin Hawkins of The Darkness
bass- 6
treble-8
mid-8
gain-7
reverb-5
Dimebag Darrel of Pantera
Gain - 7
Treble - 10
Mid - 4
Bass - 9
Reverb ? 0
Billie Joe Armstrong (newer) of Green Day
Drive - 6
Treble - 10
Mid - 8
Bass - 5
Reverb ? 3
Billie Joe Armstrong (older) of Green Day
Gain:9
Treble:10
Mid:8
Bass:5
Reverb:3
Dave Murray of Iron Maiden
Drive - 7
Treble - 9
Mid - 7
Bass - 4
Reverb - 0
Use your brigde humbucker - I find this tone to be excellent for Maiden - The Trooper, Hallowed especially
Gary Moore of Thin Lizzy
Bass 7
Treble 7
Mids 8-10
Gain 5-7 depends on song
Coutour at 3-4 not so high to suck the mids but not os low to sound crappy
maybe a splash of reverb
Neck pickup
Dave Grohl of Foo Fighters
Distortion:8
Treble:7
Middle:5
Bass:3
Reverb:3 (room)
Joe Walsh of Eagles
Treble: 7
Bass:3
Mid: 4
Master:3
Reverb:2
Presence:3
Billy Corgan of Smashing Pumpkins
For songs like 1979:
Bass: 8
Mid: 7
High/Treble: 6
Pickup Position: 2 or 4 (Strat)
For heavier songs like Zero or Jellybelly:
Bass: 10
Mid: 4
High/Treble: 8
Use a thick heavy distortion with medium tone and a lot of sustain.
Angus Young of AC/DC
Gain - 5
Treble - 10
Mid - 10
Bass - 5
Gary Rossington of Lynyrd Skynyrd
Treble - 5
Mid - 10
Bass - 5
Gain - 2-3
Mark Tremonti of Creed/Alter Bridge
Gain:10
Treb.:6
Mid.:3 or 4
Bass:7
Presence:6
Mike McCready of Pearl Jam
Treble: 7
Mid: 7
Low: 5
Daron Malakian of System of a Down
Amp Used: Crate VFX5212
Gain: 8
Treble: 6-7
Mids: 3-5
Bass: 10
Presence: 8
Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb)
Tony Iommi of Black Sabbath
Gain - 7 or 8
Bass - 6
Middle - 6
Treble - 6
Channel - Overdrive
Mick Mars of Motley Crue
Gain - 3
Bass - 2-3
Contour - 2-3
Treble - 10
Channel - Overdrive
Kurt Cobain - Chorus Effect bits of Nirvana
Effects/Other - Ibanez CF-7 Pedal
Speed- 10
Depth- 5
Delay Time- 0 or 1.5
Regen- 3
Mick Thompson of Slipknot
Gain - 9-10
Treble - 8
Mid - 7
Bass - 8
Reverb - 2
Effects/Other - Tuning of B F B E G# C# (low to high)
Channel - Distortion
Noel Gallagher of Oasis
Gain- 5.5
Volume- 10
Treble- 7
Middle- 5.5
Bass- 4.5
Ray Davies of The Kinks
Gain- 7.5
Volume- 10
Treble- 10
Middle- 6
Bass- 4
Steve Jones of Sex Pistols
Gain- 7
Volume- 10
Treble- 8.5
Middle- 6
Bass- 4
Alex Laiho of Children of Bodom
Treble: 9
Mid: 4
Bass: 7
Gain: 8
Reverb: 4
(on guitar)
Tone: 10
Pickup: Bridge
David Gilmour of Pink Floyd
Bass: 10
Middle: 6.5
Treble: 10
Gain: 1.5
or
Gain-2-3
Treble- 7-8
Mids- 9-10
Bass- 5-6
Reverb- 60-70%
Mark Tremonti of Creed/Alter Bridge
Gain: 7
Bass: 6
Mids: 4
treble: 7.5
Reverb: 1-2
Carlos Santana of Carlos Santana
gain 7
treble 10
mid 6
bass 5
reverb 2
Jerry Cantrell of Alice in Chains
Gain 6-7
Treble 6-7
Mids 5-6
Bass 5-6
Reverb 3
Joe Perry of Aerosmith
Gain: 5.5
Treble: 2
Mid: 7
Bass: 2
Volume: Full (used Fenders in the early days and switched to music Man during the Toys era, now uses a mixture)
Pete Willis of Def Leppard
Gain- 4
Bass-4
Mid- 5
Treble-7
Reverb-4
Billy Gibbons of ZZ Top
Treble: 3
Middle: 10
Bass: 10
Prescense: 10
Gain: about 5 (crunchy type of sound)
Use a Les Paul guitar with not to much output in the pups and select both!
Buckethead of Buckethead
Bass: 5-6
Mids: 5-7
Treble: 7-8
Presence: 6
Boost clean channel with an OD
Tone: 5-6
Volume: 5-8 (have it boost the volume of the amp a little)
Distortion: 0
Randy Rhoads of Ozzy Osbourne
Gain 7
Bass 7
Mids 7
Treble 10
Reverb 0
Stevie Ray Vaughan of Stevie Ray Vaughan
Low 10 (full)
Mid 7.5
High 5
Steve Vai
Clean:
Treble: 8
Mid: 5
Bass: 4
Lead:
Presence: 6
Treble: 6
Mid: 7
Bass: 7
Gain: 8
Sublime
General
Treble 9-10
mid:0
bass: 7
with a hint of chorus...on clean
Slayer
Gain: 7
Treble: 7
Mid: 2
Bass: 9
Kerry King
Gain - 9-10
Treble - 10
Mid - 4
Bass - 6-7
Reverb – 3
Graham Coxon of Blur
Gain 7
Treble 7
Mid 6
Bass 5
Reverb 0
Atreyu
Gain - 8
Bass -8
Mid - 2 - 3
Tremble – 9
Nickelback
Gain 9
Bass 8.5
Mid 1
Treble 5.5
Rage Against The Machine
Drive: 6
Treble: 8
Middle: 0
Bass: 6
Reverb: 2 (Distortion)
Rush
Gain - 6
Bass - 8
Mid - 6
Treble – 4
Neil Young
Bass: 5
Middle: 10
Treble: 10
Presence: 10
Gain: 5
Espero que pueda ser de utilidad y si no de ultima es como una opcion para ir jugando y explorando algunas variasciones
Saludos!
Como estoy en el Laburo, no tengo mucho tiempo para estar en la compu así que solo copie y pegue , desp lo analizare y explorare en casa, ja,
Espero que el autor que lo escribió, me perdone por hacerlo, pero creo que en cierto punto es como los libro, alguien me dijo alguna vez que no sirven de nada en una biblioteca sin nadie que los lea, que es mejor que viajen de mano en mano y alimenten las mentes de otras personas también, asi que esto también es un poco de conocimiento que seria bueno que viajara por otros lares
bueno al caso entonces:
Joan Jett's - I Love Rock N Roll
Gain 7.5
Bass 6
Mid 8
Treble 4.5
Effects distortion 80% filter bandpass at 1800Hz
Big Muff distortion and a Cry Baby wah left about 70% forward give about
the right amount of screaming highs. Use bridge pickup with tone all the way up.
Jimi Hendrix of Jimi Hendrix Experience
Gain - 4
Treble - 5
Mid - 5
Bass - 8
Reverb - 5
Tom Morello of Audioslave/Rage Against the Machine
Gain - 7
Treble - 10
Mid - 4
Bass - 4
Reverb - 0
Eric Clapton of Eric Clapton
Gain - 7
Teble - 5
Mid - 7
Bass - 7
Presence - 8
Mick Thompson of Slipknot
Gain - 9-10
Treble - 8
Mid - 7
Bass - 8
Reverb - 2
Note tuning of B F B E Gsharp Csharp (low to high)
Jimmy Page of Led Zeppelin
Gain - 4
Treble - 8
Mid - 3
Bass - 7
Reverb - 2
Kurt Cobain of Nirvana
Gain - 7
Treble - 7
Mid - 4
Bass - 3
Reverb - 2
Eddie Van Halen of Van Halen
Gain - 6
Treble - 4
Mid - 3
Bass- 9
Reverb - 4
John Frusciante of Red Hot Chili Peppers
Gain - 4
Treble - 8
Mid - 2
Bass - 6
Reverb - 7
Kirk Hammet of Metallica
Gain - 7
Treble - 7
Mid - 2
Bass - 7
Reverb - 2
Keith Richards of Rolling Stones
Gain - 4.5
Treble - 4.5
Mid - 6.5
Bass - 5.5
Reverb - 1.5
Note use of open G tuning, D G D G B D (low to high)
The Edge of U2
Gain - 1.5
Treble - 7
Mid - 5
Bass - 3
Reverb - 8.5
Brian May of Queen
Gain - 8.5
Treble - 4
Mid - 9
Bass - 5.5
Reverb - 4
Note Brian famously uses old sixpences to pick the strings of his guitar.
Jack White of The White Stripes
Gain - 8
Treble - 7
Mid - 5
Bass - 8
Prescence - 8
Slash of Guns N' Roses
Gain - 6.5
Treble - 4.5
Mid - 7
Bass - 7
Presence ? 8
Justin Hawkins of The Darkness
bass- 6
treble-8
mid-8
gain-7
reverb-5
Dimebag Darrel of Pantera
Gain - 7
Treble - 10
Mid - 4
Bass - 9
Reverb ? 0
Billie Joe Armstrong (newer) of Green Day
Drive - 6
Treble - 10
Mid - 8
Bass - 5
Reverb ? 3
Billie Joe Armstrong (older) of Green Day
Gain:9
Treble:10
Mid:8
Bass:5
Reverb:3
Dave Murray of Iron Maiden
Drive - 7
Treble - 9
Mid - 7
Bass - 4
Reverb - 0
Use your brigde humbucker - I find this tone to be excellent for Maiden - The Trooper, Hallowed especially
Gary Moore of Thin Lizzy
Bass 7
Treble 7
Mids 8-10
Gain 5-7 depends on song
Coutour at 3-4 not so high to suck the mids but not os low to sound crappy
maybe a splash of reverb
Neck pickup
Dave Grohl of Foo Fighters
Distortion:8
Treble:7
Middle:5
Bass:3
Reverb:3 (room)
Joe Walsh of Eagles
Treble: 7
Bass:3
Mid: 4
Master:3
Reverb:2
Presence:3
Billy Corgan of Smashing Pumpkins
For songs like 1979:
Bass: 8
Mid: 7
High/Treble: 6
Pickup Position: 2 or 4 (Strat)
For heavier songs like Zero or Jellybelly:
Bass: 10
Mid: 4
High/Treble: 8
Use a thick heavy distortion with medium tone and a lot of sustain.
Angus Young of AC/DC
Gain - 5
Treble - 10
Mid - 10
Bass - 5
Gary Rossington of Lynyrd Skynyrd
Treble - 5
Mid - 10
Bass - 5
Gain - 2-3
Mark Tremonti of Creed/Alter Bridge
Gain:10
Treb.:6
Mid.:3 or 4
Bass:7
Presence:6
Mike McCready of Pearl Jam
Treble: 7
Mid: 7
Low: 5
Daron Malakian of System of a Down
Amp Used: Crate VFX5212
Gain: 8
Treble: 6-7
Mids: 3-5
Bass: 10
Presence: 8
Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb)
Tony Iommi of Black Sabbath
Gain - 7 or 8
Bass - 6
Middle - 6
Treble - 6
Channel - Overdrive
Mick Mars of Motley Crue
Gain - 3
Bass - 2-3
Contour - 2-3
Treble - 10
Channel - Overdrive
Kurt Cobain - Chorus Effect bits of Nirvana
Effects/Other - Ibanez CF-7 Pedal
Speed- 10
Depth- 5
Delay Time- 0 or 1.5
Regen- 3
Mick Thompson of Slipknot
Gain - 9-10
Treble - 8
Mid - 7
Bass - 8
Reverb - 2
Effects/Other - Tuning of B F B E G# C# (low to high)
Channel - Distortion
Noel Gallagher of Oasis
Gain- 5.5
Volume- 10
Treble- 7
Middle- 5.5
Bass- 4.5
Ray Davies of The Kinks
Gain- 7.5
Volume- 10
Treble- 10
Middle- 6
Bass- 4
Steve Jones of Sex Pistols
Gain- 7
Volume- 10
Treble- 8.5
Middle- 6
Bass- 4
Alex Laiho of Children of Bodom
Treble: 9
Mid: 4
Bass: 7
Gain: 8
Reverb: 4
(on guitar)
Tone: 10
Pickup: Bridge
David Gilmour of Pink Floyd
Bass: 10
Middle: 6.5
Treble: 10
Gain: 1.5
or
Gain-2-3
Treble- 7-8
Mids- 9-10
Bass- 5-6
Reverb- 60-70%
Mark Tremonti of Creed/Alter Bridge
Gain: 7
Bass: 6
Mids: 4
treble: 7.5
Reverb: 1-2
Carlos Santana of Carlos Santana
gain 7
treble 10
mid 6
bass 5
reverb 2
Jerry Cantrell of Alice in Chains
Gain 6-7
Treble 6-7
Mids 5-6
Bass 5-6
Reverb 3
Joe Perry of Aerosmith
Gain: 5.5
Treble: 2
Mid: 7
Bass: 2
Volume: Full (used Fenders in the early days and switched to music Man during the Toys era, now uses a mixture)
Pete Willis of Def Leppard
Gain- 4
Bass-4
Mid- 5
Treble-7
Reverb-4
Billy Gibbons of ZZ Top
Treble: 3
Middle: 10
Bass: 10
Prescense: 10
Gain: about 5 (crunchy type of sound)
Use a Les Paul guitar with not to much output in the pups and select both!
Buckethead of Buckethead
Bass: 5-6
Mids: 5-7
Treble: 7-8
Presence: 6
Boost clean channel with an OD
Tone: 5-6
Volume: 5-8 (have it boost the volume of the amp a little)
Distortion: 0
Randy Rhoads of Ozzy Osbourne
Gain 7
Bass 7
Mids 7
Treble 10
Reverb 0
Stevie Ray Vaughan of Stevie Ray Vaughan
Low 10 (full)
Mid 7.5
High 5
Steve Vai
Clean:
Treble: 8
Mid: 5
Bass: 4
Lead:
Presence: 6
Treble: 6
Mid: 7
Bass: 7
Gain: 8
Sublime
General
Treble 9-10
mid:0
bass: 7
with a hint of chorus...on clean
Slayer
Gain: 7
Treble: 7
Mid: 2
Bass: 9
Kerry King
Gain - 9-10
Treble - 10
Mid - 4
Bass - 6-7
Reverb – 3
Graham Coxon of Blur
Gain 7
Treble 7
Mid 6
Bass 5
Reverb 0
Atreyu
Gain - 8
Bass -8
Mid - 2 - 3
Tremble – 9
Nickelback
Gain 9
Bass 8.5
Mid 1
Treble 5.5
Rage Against The Machine
Drive: 6
Treble: 8
Middle: 0
Bass: 6
Reverb: 2 (Distortion)
Rush
Gain - 6
Bass - 8
Mid - 6
Treble – 4
Neil Young
Bass: 5
Middle: 10
Treble: 10
Presence: 10
Gain: 5
Espero que pueda ser de utilidad y si no de ultima es como una opcion para ir jugando y explorando algunas variasciones
Saludos!
