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Gibson ES-175 Natural 1996

Por guitrax el 18/10/2018 en Almería
Expiración: 17/12/2018 | Visto 588 veces
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El usuario ha marcado este anuncio como vendido
Gibson ES-175 Natural 1996
  • Gibson ES-175 Natural 1996
  • Gibson ES-175 Natural 1996
  • Gibson ES-175 Natural 1996
  • Gibson ES-175 Natural 1996
  • Gibson ES-175 Natural 1996
  • Gibson ES-175 Natural 1996
  • Gibson ES-175 Natural 1996
  • Gibson ES-175 Natural 1996
  • Gibson ES-175 Natural 1996
  • Gibson ES-175 Natural 1996
Vendo esta guitarra en un estado muy bueno, se ha tirado muchos años en su estuche ya que mi historia con el jazz tuvo poco futuro. Apenas tiene marcas ni roces, solo los cubre pastillas que han perdido el brillo y se han quedado mates. Todo original,con su estuche y todo. No me interesan los cambios ya que intento reducir el stock de guitarras que tengo. The ES-175 is a dual-pickup archtop electric guitar made by Gibson. The ES-175 has a rosewood fingerboard with parallelogram inlays, a 3″ deep body, a floating bridge, two hum buckers , 20 frets and independent volume and tone controls for each pickup. The guitar has the standard Gibson scale length of 24.75″ and is available in sunburst and natural finishes.
The ES-175 debuted in 1949, as Gibson’s mid-level laminate top alternative to the L-5 and as an electric version of the L-4. It was also the first Gibson electric to feature a stylish Florentine cutaway. Its first incarnation had one single-coil pickup (a P-90) in the neck position, and a carved rosewood bridge. The model’s name is derived from its original price of $175. In 1953, the ES-175D, a two-pickup model, was introduced. The ES-175 or ES-175D could be ordered in either sunburst finish or in natural finish (for an additional charge).
Beginning in February 1957, ES-175s came equipped with humbuckers. Many new jazz guitarists such as Pat Metheny used these to emulate the sound of Joe Pass and Wes Montgomery’s “heart” L5. The ES-175 with humbuckers is prized for its full, rich tone. Some guitarists will try to mimic the rich resonant sound of this rather large hollow-body instrument by turning the tone knob all the way down on smaller, or solid body, guitars.
In 1969, shortly before Norlin acquired Gibson from CMI (Chicago Musical Instruments), Gibson began to implement changes across the line, including changing the headstock pitch from 17 degrees to 14, phasing in three-piece maple necks in lieu of one piece mahogany, and the addition of a volute to the neck. The ES-175 was largely spared these changes until the mid-1970s. In 1976, the three-piece maple neck replaced the one-piece mahogany neck, a volute was added, and the wooden bridge was replaced by a Nashville bridge.
By the mid-1970s, Gibson had discontinued the single-pickup model.
Jazz guitarist Joe Pass played his ES-175. This model guitar is used not only by jazz guitarists. Scotty Moore, the guitarist for Elvis Presley, played an all gold ES-175. Steve Howe also plays an ES-175.
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